Click on a project for review
Looped
Colour Stereo
Shed Show
My Last Yellow Thought
In Full Colour
9 Windows
Diary of a Dead Artist
We Are Not So Ordinary |
 |
Looped
'Unforgettably good, this show challenges conventional ideas of disability and dance'.
Mark Drinkwater - Community Care
'The way in which the performers interpreted the space, sound and video made this a thought provoking show...it proved how powerful theatre can be'.
Lucy Howard - Disability Arts in London
back to menu |
|
Colour Stereo
'The Corali collective impart something relevant about visibility and modern life...about these performers, performance in general and life'.
Donald Hutera - Dance Europe
back to menu |
|
Shed Show
'It held a mainstream audience transfixed'.
Gus Garside, Viewpoint
back to menu |
|
My Last Yellow Thought
'Corali is a class act: radical art for our own times'.
Viewpoint May 2000 back to menu |
|
In Full Colour
'Their work echoed the emphasis on physical sensations of texture, environment, and the physical forces of gravity, mass, velocity explored in much Minimalist work…they bought a lyricism, wit and grace to these phenomenological explorations which captivated audiences'.
Iwona Blazwick, Tate Modern 1999
'This was a powerful multi-sensory performance which, through its abstract style, allowed each member of the audience to experience an imaginative journey of their own'.
Viewpoint November 1999. back to menu |
|
9 Windows
'This is dance performance which demands from, rather than pandering to an audience…Community dance has a low profile, but when it is allowed to create its own identity and is respected for what it is trying to achieve, it holds its own as an art form rather than being the victim of unfair comparisons'.
Independent on Sunday August 1997 back to menu |
|
Diary of a Dead Artist
'This is a simple but striking play, which has a knack of gluing itself to one's memory'
Disability Art in London August 1996 back to menu |
|
We Are Not So Ordinary
'An ingenious blend of live music, video and sculptures…Although based on complex, intellectual precepts, which many directors would not contemplate with a group of this kind, the performances were presented with humour and confidence'
Disability Times August 1995
back to menu |
|
|
